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Sebastian De Line is a queer, trans artist and scholar of Mohawk (bear clan), Cantonese, and European descent. He is currently a PhD candidate in cultural studies at Queen’s University (situated on Haudenosaunee and Anishinaabe territory). His dissertation Postmortem Economies in Art:The Necropolitics of Value in Indigenized & Racialized Production investigates the manufacturing of economies which instill objects into museum collections produced by systems of colonial property production that generate value through a necropolitical capitalization upon states of unliving.